{"id":488,"date":"2020-04-29T16:19:58","date_gmt":"2020-04-29T16:19:58","guid":{"rendered":"https:\/\/zbierky.zgjm.sk\/?page_id=488"},"modified":"2020-05-10T10:38:17","modified_gmt":"2020-05-10T10:38:17","slug":"diela","status":"publish","type":"page","link":"https:\/\/zbierky.zgjm.sk\/en\/diela\/","title":{"rendered":"Diela"},"content":{"rendered":"
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\n\t\t\t\t\tartworks:
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\r\n\"Anasta\u0301zia\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Anast\u00e1zia Bend\u017eelov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Study<\/em><\/strong><\/span> (to the painting Old Bridge)<\/em>, 1970
\r\n\r\nceruza and tu\u0161, papier, 18,9 x 17,3 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Andrej\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Andrej Bar\u010d\u00edk<\/strong><\/a><\/p>\r\n\r\n

Sitting<\/em><\/strong><\/span>, 1990
\r\n\r\nsie\u0165otla\u010d, matn\u00fd kriedov\u00fd papier, 30,0 x 30,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Anton\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Anton Galko<\/strong><\/a><\/p>\r\n\r\n

Bouquet<\/em><\/strong><\/span>, 1957
\r\n\r\noil, canvas, 63.8 x 83.7 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Anton\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Anton Galko<\/strong><\/a><\/p>\r\n\r\n

Confiscation<\/em><\/strong><\/span>, 1957
\r\n\r\noil, canvas, 73.0 x 60.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Bohumil\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Bohumil Ba\u010da<\/strong><\/a><\/p>\r\n\r\n

Memory<\/em><\/strong><\/span>, 2004
\r\n\r\ncombination of techniques, cardboard, 56.0 x 78.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Bohumil\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Bohumil Ba\u010da<\/strong><\/a><\/p>\r\n\r\n

Fragments III.<\/em><\/strong><\/span>, 1972
\r\n\r\nfrom the cycle Fragments, <\/strong>combination of techniques, paper, 44.9 x 65.4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Bohumil\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Bohumil Ba\u010da<\/strong><\/a><\/p>\r\n\r\n

Fragments II.<\/em><\/strong><\/span>, 1972
\r\n\r\nfrom the cycle Fragments, <\/strong>combination of techniques, paper, 44.9 x 65.4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"Bohumil\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Bohumil Ba\u010da<\/strong><\/a><\/p>\r\n\r\n

Fragments IV.<\/em><\/strong><\/span>, 1972
\r\n\r\nfrom the cycle Fragments, <\/strong>combination of techniques, paper, 38.5 x 33.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Bohumil\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Bohumil Ba\u010da<\/strong><\/a><\/p>\r\n\r\n

Fragments I.<\/em><\/strong><\/span> (Spring)<\/em>, 1972
\r\n\r\nfrom the cycle Fragments, <\/strong>combination of techniques, paper, 43.8 x 61.4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"Edmund\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Edmund Gwerk<\/strong><\/a><\/p>\r\n\r\n

Man with a walking stick<\/em><\/strong><\/span>, undated
\r\n\r\noil, canvas, 40,0 x 47,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"Eugen\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Eugen Nevan<\/strong><\/a><\/p>\r\n\r\n

Seagulls in the Baltic<\/em><\/strong><\/span>, 1958
\r\n\r\noil, paper-board, 89,3 x 52,2 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"Ever\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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Ever P\u00fa\u010dek<\/strong><\/a><\/p>\r\n\r\n

Young king<\/em><\/strong><\/span>, 1986
\r\n\r\nnitrolak, hardboard, 17,0 x 21,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"Ferdinand\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Ferdinand Hlo\u017en\u00edk<\/strong><\/a><\/p>\r\n\r\n

After combat<\/em><\/strong><\/span>, around 1956
\r\n\r\noil, canvas, 38.0 x 24.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ferdinand\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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Ferdinand Hlo\u017en\u00edk<\/strong><\/a><\/p>\r\n\r\n

Frosty night<\/em><\/strong><\/span>, 1973
\r\n\r\ntempera, paper, 66.0 x 90.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Gust\u00e1v\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Gust\u00e1v Mall\u00fd<\/strong><\/a><\/p>\r\n\r\n

Spring<\/em><\/strong><\/span>, 1935-1945
\r\n\r\noil, canvas, 58,0 x 43,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J.\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J. Sonnenschein<\/strong><\/a><\/p>\r\n\r\n

Emperor Franz Joseph I.<\/em><\/strong><\/span>, 1891
\r\n\r\noil, canvas, 73,5 x 99,8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n Mudroch<\/strong><\/a><\/p>\r\n\r\n

Head of a girl with long hair<\/em><\/strong><\/span>,
\r\n\r\noil, 24,0 x 28,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n Mudroch<\/strong><\/a><\/p>\r\n\r\n

Head of young man<\/em><\/strong><\/span>, 1941
\r\n\r\ntempera, paper-board, 32,0 x 43,8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n Mudroch<\/strong><\/a><\/p>\r\n\r\n

Thoughtful at the table<\/em><\/strong><\/span>, 1945-1949
\r\n\r\noil, 78,0 x 61,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n Mudroch<\/strong><\/a><\/p>\r\n\r\n

Still life with a Slovak jug<\/em><\/strong><\/span>, 1958
\r\n\r\noil, canvas, 50,4 x 40,4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n Mudroch<\/strong><\/a><\/p>\r\n\r\n

Woman in a black hat<\/em><\/strong><\/span>, 1954
\r\n\r\noil, canvas, 50,2 x 62,4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

People in conversation.<\/em><\/strong><\/span> (Friends)<\/em>, 1988
\r\n\r\nblack and white positive, photo paper, 37.9 x 27.6 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Lines<\/em><\/strong><\/span>, 1985
\r\n\r\nblack and white positive, photo paper, 39.8 x 29.8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Siesta<\/em><\/strong><\/span>, 1972
\r\n\r\nblack and white positive, photo paper, 29.7 x 39.8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

At noon<\/em><\/strong><\/span>, 1971
\r\n\r\nblack and white positive, photo paper, 40.4 x 30.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Farewell<\/em><\/strong><\/span>, 1971
\r\n\r\nfrom the cycle Triptych Transformation, <\/strong>black and white positive, photo paper, 29.9 x 40.3 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Blonde<\/em><\/strong><\/span>, 1970
\r\n\r\nblack and white positive, photo paper, 39.9 x 29.7 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Guest to the house<\/em><\/strong><\/span>, 1969
\r\n\r\nblack and white positive, photo paper, 40.0 x 30.4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Solo for bombardon<\/em><\/strong><\/span>, 1969
\r\n\r\nblack and white positive, photo paper, 40.0 x 30.3 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Portrait of an artist<\/em><\/strong><\/span>, 1967
\r\n\r\nblack and white positive, photo paper, 29.8 x 38.5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Forsaken<\/em><\/strong><\/span>, 1967
\r\n\r\nblack and white positive, photo paper, 38.4 x 30.2 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

During \u010c\u00e1\u010dov feast<\/em><\/strong><\/span>, 1960-1965
\r\n\r\nblack and white positive, photo paper, 38.7 x 28.3 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
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J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Musicians<\/em><\/strong><\/span>, 1964
\r\n\r\nblack and white positive, photo paper, 30.0 x 40.5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Grandpa with a pipe<\/em><\/strong><\/span>, 1964
\r\n\r\nblack and white positive, photo paper, 30.1 x 40.4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

November evening<\/em><\/strong><\/span>, 1964
\r\n\r\nblack and white positive, photo paper, 38.6 x 28.8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

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\r\n\"J\u00e1n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Stop!<\/em><\/strong><\/span>, 1961
\r\n\r\nblack and white positive, photo paper, 39.8 x 30.2 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Grandpa, did you focus well?<\/em><\/strong><\/span>, 1986
\r\n\r\nanalog photography, photo paper, 39.3 x 28.8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

The eyes of life<\/em><\/strong><\/span>, 1968
\r\n\r\nanalog photography, photo paper, 38.8 x 29.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

My son<\/em><\/strong><\/span>, 1968
\r\n\r\nanalog photography, photo paper, 39.8 x 29.9 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

In the autumn forest<\/em><\/strong><\/span>, 1968
\r\n\r\nanalog photography, photo paper, 29.8 x 39.8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Old man<\/em><\/strong><\/span>, 1967
\r\n\r\nanalog photography, photo paper, 29.9 x 39.8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Hard journey<\/em><\/strong><\/span>, 1967
\r\n\r\nanalog photography, photo paper, 39.8 x 29.9 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
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\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Still life with glass<\/em><\/strong><\/span>, 1965
\r\n\r\nanalog photography, photo paper, 29.2 x 36.4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n N\u00e1hlik<\/strong><\/a><\/p>\r\n\r\n

Dandelion<\/em><\/strong><\/span>, 1962
\r\n\r\nanalog photography, photo paper, 29.7 x 39.8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ja\u0301n\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00e1n \u017delibsk\u00fd<\/strong><\/a><\/p>\r\n\r\n

A pile of clover<\/em><\/strong><\/span>, 1967
\r\n\r\noil, cardboard, 35,1 x 25,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Janko\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Janko Alexy<\/strong><\/a><\/p>\r\n\r\n

In the \u010c\u00e1\u010dov<\/em><\/strong><\/span>, 1945
\r\n\r\npastel, paper, 98.0 x 67.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Jaroslav\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Jaroslav Augusta<\/strong><\/a><\/p>\r\n\r\n

Girls from Z\u00e1horie<\/em><\/strong><\/span>, early 20th century
\r\n\r\nwatercolor, paper, 24.0 x 33.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Jozef\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Jozef Jankovi\u010d<\/strong><\/a><\/p>\r\n\r\n

Humanized Mangold II.<\/em><\/strong><\/span>, 2001
\r\n\r\ncombination of techniques, hardboard, 70.0 x 98.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Jozef\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Jozef Koll\u00e1r<\/strong><\/a><\/p>\r\n\r\n

Still life with a mug and lemon<\/em><\/strong><\/span>, 1958
\r\n\r\noil, cardboard, 34,5 x 28,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Selfportrait<\/em><\/strong><\/span>, 1930
\r\n\r\noil, canvas, 31,0 x 36,4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

A small yard in Skalica<\/em><\/strong><\/span>, 1958
\r\n\r\noil, canvas, 56,7 x 50,1 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Head of a maid<\/em><\/strong><\/span>, 1921
\r\n\r\noil, canvas, 25,9 x 32,2 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Motif from Starohorsk\u00fd stream<\/em><\/strong><\/span>, 1948
\r\n\r\noil, canvas, 56,1 x 49,1 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Portrait of a man<\/em><\/strong><\/span>, 1920-1925
\r\n\r\noil, canvas, 35,0 x 42,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Portrait of a hunter<\/em><\/strong><\/span>, 1919-1922
\r\n\r\noil, cardboard, 34,0 x 40,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Portrait of an old man<\/em><\/strong><\/span>, 1920-1925
\r\n\r\noil, canvas, 43,5 x 30,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Portrait of an old woman in a black scarf<\/em><\/strong><\/span>, 1914
\r\n\r\noil, canvas, 25,0 x 34,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Portrait of a woman in a black veil<\/em><\/strong><\/span>, 1920-1925
\r\n\r\noil, cardboard, 34,0 x 43,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Sitting lady<\/em><\/strong><\/span>, 1923
\r\n\r\noil, canvas, 26,7 x 33,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Sitting lady in black<\/em><\/strong><\/span>, 1920-1925
\r\n\r\noil, cardboard, 24,5 x 34,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Still life with flowers and fruits<\/em><\/strong><\/span>, 1930-1940
\r\n\r\noil, canvas, 85,5 x 74,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"J\u00falius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Trees in the countryside<\/em><\/strong><\/span>, 1945-1950
\r\n\r\npencil, paper, 29.5 x 29.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"J\u00falius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Solitude with a chapel<\/em><\/strong><\/span>, undated
\r\n\r\npencil, paper, 28.1 x 21.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Harvest<\/em><\/strong><\/span>, 20s
\r\n\r\noil, cardboard, 36.5 x 27.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

No name<\/em><\/strong><\/span>, undated
\r\n\r\nblack crayon, paper, 29.5 x 21.5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Two men from behind<\/em><\/strong><\/span>, 1950-1954
\r\n\r\npencil, paper, 28.0 x 20.3 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

Sitting hunter II.<\/em><\/strong><\/span>, 1926-1929
\r\n\r\npencil, paper, 27.2 x 26.8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ju\u0301lius\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

J\u00falius Koreszka<\/strong><\/a><\/p>\r\n\r\n

On the watch<\/em><\/strong><\/span> (Sitting Hunter)<\/em>, 2nd half of the 1920s
\r\n\r\noil, canvas, 27.0 x 22.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Karel\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Karel Nov\u00e1k<\/strong><\/a><\/p>\r\n\r\n

Landscape with the ruins of the castle Bran\u010d<\/em><\/strong><\/span>, 1972
\r\n\r\nwatercolor, paper, 55,2 x 38,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Karol\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Karol Moln\u00e1r<\/strong><\/a><\/p>\r\n\r\n

Mythological scene<\/em><\/strong><\/span>, around 1941
\r\n\r\noil, cardboard, 42.0 x 32.5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Karol\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Karol Moln\u00e1r<\/strong><\/a><\/p>\r\n\r\n

Horse riders II.<\/em><\/strong><\/span>, 1938
\r\n\r\noil, cardboard, 42.0 x 32.5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

Shaving horse<\/em><\/strong><\/span>, 1967
\r\n\r\nstain, paper, 22.8 x 29.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

Mechanician<\/em><\/strong><\/span>, 1976
\r\n\r\nceruza, olej, and pastel, papier, 21,0 x 28,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

At the meeting<\/em><\/strong><\/span>, 1981
\r\n\r\ncolor pencils, paper, 30.0 x 41.2 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

Bass\u2013flugelhorn player<\/em><\/strong><\/span>, 1980
\r\n\r\ntempera, paper, 24.4 x 33.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

On the bus<\/em><\/strong><\/span>, 1980
\r\n\r\nakvarel, ceruza, and pastel, papier, 33,0 x 45,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

Guy with apples<\/em><\/strong><\/span>, 1976
\r\n\r\nakvarel, ceruza, and pastel, papier, 33,5 x 31,2 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

A guy with a big bag<\/em><\/strong><\/span>, 1976
\r\n\r\nakvarel, ceruza, and pastel, papier, 23,5 x 33,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

By the concrete mixer III.<\/em><\/strong><\/span>, 1976
\r\n\r\nfrom the cycle By the concrete mixer, <\/strong>ceruza, olej, and pastel, papier, 21,0 x 29,8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

On building site<\/em><\/strong><\/span>, 1976
\r\n\r\nceruza, olej, and pastel, papier, 21,0 x 29,8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u030cudovi\u0301t\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u013dudov\u00edt Holo\u0161ka<\/strong><\/a><\/p>\r\n\r\n

By the concrete mixer II.<\/em><\/strong><\/span>, 1976
\r\n\r\nfrom the cycle By the concrete mixer, <\/strong>ceruza, olej, and pastel, papier, 21,0 x 29,8 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"L\u00fddia\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

L\u00fddia Jergu\u0161ov\u00e1 - Vydaren\u00e1<\/strong><\/a><\/p>\r\n\r\n

Destruction of the structure<\/em><\/strong><\/span>, 1990
\r\n\r\nscreen printing, paper, 70.0 x 100.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Martin\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Martin Benka<\/strong><\/a><\/p>\r\n\r\n

Leaving<\/em><\/strong><\/span>, 1930
\r\n\r\noil, canvas, 75,2 x 50,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Martin\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Martin Benka<\/strong><\/a><\/p>\r\n\r\n

By the stream<\/em><\/strong><\/span>,
\r\n\r\noil, canvas, 65,5 x 48,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Martin\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Martin Benka<\/strong><\/a><\/p>\r\n\r\n

Study painting of a beggar<\/em><\/strong><\/span> (to the painting of St. Martin in Kiripolec)<\/em>, 1938
\r\n\r\noil, canvas, 48.5 x 93.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Michal\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Michal Tillner<\/strong><\/a><\/p>\r\n\r\n

Houses in yellow<\/em><\/strong><\/span>, 1960
\r\n\r\noil, cardboard, 50,0 x 35,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Michal\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Michal Tillner<\/strong><\/a><\/p>\r\n\r\n

Slovak past VI.<\/em><\/strong><\/span>, undated
\r\n\r\nfrom the cycle Slovak past, <\/strong>oil, hardboard, 70.0 x 50.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Mikula\u0301s\u030c\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Mikul\u00e1\u0161 Galanda<\/strong><\/a><\/p>\r\n\r\n

Girl with a braid<\/em><\/strong><\/span>, 1927
\r\n\r\nmonotype, 25,0 x 35,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Mikula\u0301s\u030c\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Mikul\u00e1\u0161 Galanda<\/strong><\/a><\/p>\r\n\r\n

Sitting nude by the sea<\/em><\/strong><\/span>, undated
\r\n\r\nwatercolor, paper, 27.0 x 36.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Milan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Milan Dobe\u0161<\/strong><\/a><\/p>\r\n\r\n

Rain on Hviezdoslav Square in Bratislava<\/em><\/strong><\/span>, 1958
\r\n\r\noil, canvas, 59,8 x 50,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Milan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Milan Dobe\u0161<\/strong><\/a><\/p>\r\n\r\n

Market on the Rybn\u00e9 square in Bratislava<\/em><\/strong><\/span>, 1958
\r\n\r\noil, canvas, 76,4 x 82,2 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Milan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Milan Flaj\u017e\u00edk<\/strong><\/a><\/p>\r\n\r\n

Combination Circle + Triangle<\/em><\/strong><\/span>, 1995
\r\n\r\nfrom the cycle Shape analogies, <\/strong>combination of techniques, paper, 66.0 x 90.4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Milan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Milan Flaj\u017e\u00edk<\/strong><\/a><\/p>\r\n\r\n

Triangle<\/em><\/strong><\/span>, 1995
\r\n\r\nfrom the cycle Shape analogies, <\/strong>combination of techniques, paper, 66.0 x 90.4 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Milan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Milan Kub\u00ed\u010dek<\/strong><\/a><\/p>\r\n\r\n

Collage II.<\/em><\/strong><\/span>, 1992
\r\n\r\nfrom the cycle Collages, <\/strong>combination of techniques, cardboard, 72.0 x 74.5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Milan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Milan Kub\u00ed\u010dek<\/strong><\/a><\/p>\r\n\r\n

Collage I.<\/em><\/strong><\/span>, 1992
\r\n\r\nfrom the cycle Collages, <\/strong>combination of techniques, cardboard, 73.0 x 74.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Milan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Milan Laluha<\/strong><\/a><\/p>\r\n\r\n

By the tree<\/em><\/strong><\/span>, 1989
\r\n\r\nsie\u0165otla\u010d, matn\u00fd kriedov\u00fd papier, 30,0 x 30,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Milan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Milan Laluha<\/strong><\/a><\/p>\r\n\r\n

Sorrow<\/em><\/strong><\/span>, 1990
\r\n\r\nsie\u0165otla\u010d, matn\u00fd kriedov\u00fd papier, 30,0 x 30,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Nezna\u0301my\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Unknown baroque painter<\/strong><\/a><\/p>\r\n\r\n

Portrait of a nobleman<\/em><\/strong><\/span>, 2nd half of the 18th century.
\r\n\r\noil, canvas, 96.8 x 141.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Nezna\u0301my\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Unknown baroque painter<\/strong><\/a><\/p>\r\n\r\n

Portrait of Emperor Joseph II.<\/em><\/strong><\/span>, 2nd half of the 18th century.
\r\n\r\noil, canvas, 71.0 x 89.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ol\u030cga\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Lemons on an orange tablecloth<\/em><\/strong><\/span>, 1976
\r\n\r\nolej, pl\u00e1tno, 112,0 x 92,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Burnout<\/em><\/strong><\/span>,
\r\n\r\nolej, pl\u00e1tno, 90,0 x 80,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ol\u030cga\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Bottles and apple<\/em><\/strong><\/span>, 1977
\r\n\r\noil, canvas, 68,0 x 46,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Heads<\/em><\/strong><\/span>, 1965
\r\n\r\nkombin\u00e1cia techn\u00edk, pl\u00e1tno, 90,0 x 80,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

In honor of Mrs. Ne\u0161porov\u00e1<\/em><\/strong><\/span> (In honor of Mrs. Ne\u0161porov\u00e1, mother of M.)<\/em>,
\r\n\r\nolej, pl\u00e1tno, 125,5 x 90,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Lapidarium I<\/em><\/strong><\/span>,
\r\n\r\nolej, pl\u00e1tno, 120,0 x 80,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Lapidarium II<\/em><\/strong><\/span>, 2010
\r\n\r\nolej, pl\u00e1tno, 120,0 x 80,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ol\u030cga\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Bowl with apples<\/em><\/strong><\/span>, 1977
\r\n\r\noil, canvas, 60,2 x 46,2 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"\"\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Monuments II<\/em><\/strong><\/span> (Pieta)<\/em>,
\r\n\r\nolej, pl\u00e1tno, 120,0 x 73,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Portrait of Mrs. Milka Ne\u0161porov\u00e1<\/em><\/strong><\/span>, 1984
\r\n\r\nolej, pl\u00e1tno, 69,0 x 81,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

The story of the apple<\/em><\/strong><\/span>,
\r\n\r\nolej, pl\u00e1tno, 95,0 x 85,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Sleeping muses<\/em><\/strong><\/span>,
\r\n\r\nolej, pl\u00e1tno, 90,0 x 80,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ol\u030cga\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Still life<\/em><\/strong><\/span>, 1973
\r\n\r\noil, canvas, 70,0 x 61,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Ol\u030cga\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Still life with a teapot<\/em><\/strong><\/span>, 1977
\r\n\r\noil, canvas, 40,2 x 60,3 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Bartos\u030ci\u0301kova\u0301\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

0\u013ega Barto\u0161\u00edkov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Still life with a glass<\/em><\/strong><\/span>, 1976
\r\n\r\nolej, pl\u00e1tno, 114,0 x 92,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Peter\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Peter Matejka<\/strong><\/a><\/p>\r\n\r\n

Out of the town<\/em><\/strong><\/span>, 1947-1957
\r\n\r\nakvarel and s\u00e9pia, papier, 27,3 x 16,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Stanislav\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Stanislav Balko<\/strong><\/a><\/p>\r\n\r\n

The moment of lifting is the other side of the blue<\/em><\/strong><\/span>, 1985
\r\n\r\nacrylic, wood, 80,5 x 62,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Stano\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Stanislav Bub\u00e1n<\/strong><\/a><\/p>\r\n\r\n

Sibyla<\/em><\/strong><\/span>, 1988
\r\n\r\noil, canvas, 100.0 x 130.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

Woman from Myjava<\/em><\/strong><\/span> (Portrait of a mother)<\/em>, 1938-1939
\r\n\r\noil, canvas, 54,0 x 76,5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

On the highway<\/em><\/strong><\/span>, undated
\r\n\r\noil, canvas, x cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

Little blond boy<\/em><\/strong><\/span>, 1967
\r\n\r\noil, canvas, 46,0 x 60,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

After liberation<\/em><\/strong><\/span>, 1948
\r\n\r\ngouache, paper, 75,2 x 50,6 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

Portrait of the V.B.<\/em><\/strong><\/span>, 1954-1955
\r\n\r\noil, canvas, 54,0 x 46,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

The son plays chess<\/em><\/strong><\/span>, 1935
\r\n\r\ntempera, paper, 29,0 x 38,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

When undressing III.<\/em><\/strong><\/span>, 1975
\r\n\r\nfrom the cycle When undressing, <\/strong>tempera, paper, 30.0 x 43.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

When undressing II.<\/em><\/strong><\/span>, 1975
\r\n\r\nfrom the cycle When undressing, <\/strong>tempera, paper, 30.0 x 42.5 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"S\u030ctefan\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

\u0160tefan Bedn\u00e1r<\/strong><\/a><\/p>\r\n\r\n

When undressing I.<\/em><\/strong><\/span>, 1975
\r\n\r\nfrom the cycle When undressing, <\/strong>tempera, paper, 20.0 x 40.0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Viera\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Viera Kraicov\u00e1<\/strong><\/a><\/p>\r\n\r\n

By the sea<\/em><\/strong><\/span>, 1978
\r\n\r\noil, canvas, 60,4 x 55,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Viera\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Viera \u017dilin\u010danov\u00e1<\/strong><\/a><\/p>\r\n\r\n

Portrait.<\/em><\/strong><\/span> (Sitting Romanian)<\/em>, 1956
\r\n\r\noil, canvas, 60,5 x 73,7 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Viktor\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Viktor Hole\u010dko<\/strong><\/a><\/p>\r\n\r\n

Fruit<\/em><\/strong><\/span>, 1988
\r\n\r\npastel, paper, 72,0 x 72,0 cm<\/p><\/a>\r\n\r\n<\/div>\r\n\t\r\n<\/div>

\r\n\t\r\n
\r\n\t\r\n
\r\n\"Vladimi\u0301r\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\t\r\n
\r\n\r\n

Vladim\u00edr Komp\u00e1nek<\/strong><\/a><\/p>\r\n\r\n

Field sign<\/em><\/strong><\/span>, 1990
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